Sentimental Sunday: Rensler’s 150 ~ Chasing My Ancestors Through Cincinnati’s Historic Images
Most of you don’t know that I am in the process of purchasing 150 glass-plate negatives from the historic Rensler’s Photography Studio in Cincinnati, Ohio.
Rensler’s opened its doors in the early 1900’s and closed-up shop in 1989. With the closing of the family-owned studio, thousands of historic images and/or glass-plate negatives were sold.
Many named images with associated records, from the years 1950-1989, went to Cincinnati Historical Society. These images live in storage, uncatalogued and totally unavailable to the community.
Thousands of unidentified images, pre-1950, were sold to Cincinnati locals and I am working with two of these gentlemen to identify and purchase 150 African-American Rensler images from the earliest years through 1950.
Why do I care? Aside from having a soft-spot for unnamed Ancestors, my Georgia and Alabama lines intersected in Cincinnati by way of my Maternal Grandparents, Fannie Louella JACKSON and William Charles BARWICK.
At the time, Rensler’s was one of the few studios willing to photograph African-American people, so over the years my family often turned to the studio to capture special moments. My cherished 1930 Catie WINGFIELD DORSEY Rensler image allowed me to see my 4th Grandmother for the first time.
This image of Catie was taken on a family trip from Atlanta to Cincinnati and was intended to give my 3rd Grandmother, Marrie WINGFIELD REYNOLDS, who was terminally ill, an opportunity to see her Daughters and Grandchildren for the last time.
The BARWICK siblings original Rensler images from the late 1930s are my prized possession!
Yes, I’m hoping my purchase of the unknown, will reveal more of my missing family to me. However, should I receive 150 Ancestors with no ancestral connection to me, I will be just as content.
I will believe whoever comes to me was intended to and I will honor them by sharing them with the genealogy community in the hope they can be identified and eventually returned to their loved one.
We shall see what happens… I am uber-excited to say the least!
I’ll also keep you updated on the larger effort underway by me and a few Genea-Friends, to preserve the several thousand remaining glass-plate negatives.
A descendants work is never done…
Luckie.






















